The web is the most common place to complain

According to a UK survey by Lightspeed Research, customers are now making complaints about brands more often on the web than on the phone. It is far more common among 18-34 year-olds to complain on Facebook than among older consumers (15% compared to 5% and 4%).

How do you normally make complaints about brands?

How do you complain
Consumers expect brands to respond quickly. 13% expect a reaction within an hour and 63% within a day or less (50 + 13%).

How quickly would you expect a brand to get back to you? (those who lodged a complaint online)

chart customer complaints

Logo or no logo – How to brand your company on Twitter

In a recent post on the {grow} blog, Mark Schaefer discussed if brands should use a logo or a face as avatar on Twitter. The post “Your company’s single biggest mistake on Twitter” argues that brands would be better off by being more personal and use a photo of a person instead of a logotype. That would make it easier for followers to connect to the company on Twitter.

“If all you want to do is broadcast press releases, than go ahead and “go logo.” But if you want to create some authentic connection with your audience, I strongly recommend you put a face on the account.”

For larger companies or brands, I don’t think that’s a good idea. It might work for really small companies or for accounts that have a certain niche, like R&D or some other expert, but not for the main corporate account. Todd Defren yesterday published an email conversation about this topic that he had with his colleagues, and several of these arguments sound reasonable to me.

“I think a face is weird because it’s a company/entity not a person and as you say, people leave/change.  And some logos are iconic and memorable … My son knew companies by their logos before he could read, and now he is probably a Starbucks lifer.  But I might just be the oddball here.”
– Cathy

“Personally I identify with logos as well. It’s brand recognition. I don’t like Comcast or Pfizer more because they have a face or several faces (which can be confusing in itself!) associated with their Twitter handle. People identify with meaningful content, messages and customer service. That’s my two cents.”
– Melanie

“Agree on logos having a place. You can still be personable (and a person) within that brand. Consumers need to identify with you and the company that you represent.”
– Louise

The largest Swedish corporate accounts
I don’t believe at all that it is not possible to engage in conversation with customers if you have a logo as avatar. Let’s have a look at some of the most popular Swedish corporate accounts. The account with most followers is H&M (@hm). As much as 67% of its tweets are replies, which shows a high degree of conversation with other users. The second most followed account is Spotify (@spotify). 71% of its tweets are replies. Another example in the top ten is SJ (@sj_ab) with 91% replies.

As a comparison, both Mark Schaefer and I have a lower share of replies: 42% of our tweets are replies to others. Of course, that is no evidence that one strategy is better than the other, but I think it shows that is is possible to engage with customers on Twitter and still use a corporate logo.

The image below shows the 100 Swedish corporate Twitter accounts with most followers, from H&M (#1) to Björn Borg (#100). Only two of them have a photo of the person behind the account. A few use an image of the product (the Ice Hotel and Scania Group), but the vast majority use a logo.

Twitter avatars

Here is our list of more than 440 Swedish corporate Twitter accounts.

Footnote: Stats of %replies from Tweetstats.com

The Star: “The Customer Is Always Writing”

More and more businesses are starting to not only monitor mentions of their brands on Twitter, but also responding to customers. This weekend I was interviewed for an article in the Toronto daily the Star, which covered that topic. The paper that is referenced in the article can be found on SlideShare and is also mentioned in this blog post, headlined “Broadcaster, Curator & Conversationalist: How businesses use Twitter”.

twitter logo

Broadcaster, Curator & Conversationalist: How businesses use Twitter

Yesterday I published a short white paper on how Swedish businesses use Twitter for their official corporate accounts. I looked at more than 350 corporate accounts and especially at the ones with most followers. These top accounts behaved in very different ways and I sorted them into three different categories, labelled Broadcasters, Curators and Conversationalists.

Broadcasters

Mainly use Twitter to publish messages, often with automated feeds from other sources, such as Facebook or press releases. Rarely engage in conversations, answer questions or retweet other users’ tweets. Low share of retweets and replies.

Curators

Actively filter and select the most interesting content on certain topics and share with their followers. Are thought leaders who mix their own expertise with retweets of other sources in the community. High share of retweets.

Conversationalists

High degree of interactivity with other users. Often use Twitter as a tool to help customers, answer questions and engage with the community. High share of replies.

Twitter graph

Depending on which of these categories a corporate account falls into, the way the company staffs its Twitter account also varies. I would imagine that it doesn’t take a lot to become a Broadcaster, just add a number of your own sources that automatically feeds into Twitter, plus the occasional manual entries and you are all set to go. To become a Curator, you would possibly need a person or a team that are some kind of thought leaders, who are interested in the company, the products and the industry. People who read a lot, who like to be in the forefront and lead the way forward. For Conversationalists you typically need a team that can be online constantly and are able to network within the organization so that they quickly can find the answers to customers’ questions.

What other skills do you think are necessary for each of these types of Twitter profiles?

Curators and Conversationalists – a study of 350 Swedish corporate Twitter accounts

Twitter is one of the most popular and fastest growing social media services. As more and more people share information in real-time on Twitter, the more important it becomes for businesses to have a presence on Twitter. According to research, it is more common among Fortune Global 100 Companies to use Twitter than Facebook, YouTube and corporate blogs. Now that more and more Swedish businesses start to tweet, it gets interesting to study how they use Twitter. For that reason, I have compiled a list of more than 350 Swedish corporate Twitter accounts and studied the most popular ones.

Summary
An analysis of 350 Swedish corporate Twitter accounts reveal the average number of:

  • followers: 1,240
  • following: 480
  • tweets: 710

First registered account: Fleecelabs (@fleecelabs) which was registered on Jan 29, 2007.

Account with most followers: H&M (@hm) – 82,100

Account that follows most other accounts: Spotify (@spotify) – 16,500

Account with highest Klout score (influence): SJ (@SJ_AB) – 65

Account with most tweets: Ving/sistaminutenARN: (@sistaminutenARN) – 24,300

Account with highest followers/following ratio: H&M (@hm): 1,400 times more followers than following back.

60 accounts have more than 1,000 followers.

The ten most popular accounts, in terms of number of followers are:

  1. H&M (@hm) – 82,100
  2. Spotify (@spotify) – 72,000
  3. Stardoll (@stardoll) – 51,100
  4. Adland (@adland) – 21,400
  5. Acne Online (@acneonline) – 14,600
  6. Ericsson Labs/Tor Bjorn Minde (@ericssonlabs) – 10,800
  7. Ericsson Press (@ericssonpress) – 6,100
  8. SJ (SJ_AB) – 5,900
  9. Sony Ericsson DW (@sonyericssondev) – 5,900
  10. Propellerhead (@propellerheadsw) – 5,700

For a full list of live data with Swedish companies on Twitter, go here: http://twitterlists.toolboxr.com/swedish-companies/ . The list currently has 391 Twitter accounts. Also see the Social Media Wiki: http://socialmedia.wikidot.com/twitter-se

Read the report:

“Stay off of Facebook” competition shut down by Facebook

Oh, the irony. Swedish tea brand Kobbs launched a competition in which consumers were challenged to stay off of Facebook for a week. To take part in the competition, users had to connect via their Facebook profile. The competition was supposed to last for a month, but was closed down today, after being live only for a few days.

Contest shut down by Facebook

There is no publicly available information explaining why Facebook shut down the contest. My guess is that there could be several reasons that the contest was in breach of Facebook Promotions Guidelines, but the use of the brand Facebook in the contest headline is a prime suspect.

For some tips on how to run a successful contest on Facebook, check out these tips.